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Bangla Walpaper Biography

In contrast to the brightly colored flocked and floral patterned wallpapers, New Englanders frequently selected classical architectural pillar and arch designs printed en grisaille to decorate the stair halls and formal parlors of their elegant homes. These grand spaces could easily accommodate the large repeat of the patterns (some measure almost 48 inches high) and when installed would create a double-tiered colonnade across the wall. The popularity of pillar and arch papers printed by both English and later by American paper stainers is attested to by the variety of designs found throughout New England. Variations of the pillar and arch design were hung in the Josiah Quincy House, Quincy, Massachusetts, in Sparhawk Hall, Kittery Point, Maine and in the Timothy Johnson House in North Andover, Massachusetts.

The somber grisaille palette was not limited to use in only pillar and arch patterns, but was used for other large figured papers. Though large figured papers retain a similar scale to the pillar and archdesign, the severity of the architectural pattern is enlivened by the inclusion of Rococo and Gothic architectural elements, and classical and pastoral motifs which create a romantic effect. Sometime around 1765 loyalist Daniel Murray hung this pastoral paper in his house in Rutland, Massachusetts. The rustic scenes may have been copied from prints.

Latest Bangla Walpaper 2013 Pics Images Photos Pictures